Applied Trumpet
Lenoir-Rhyne
College
Applied Music Trumpet Syllabus
Fall 2007-Spring 2008
Instructor
Tim Phillips
Office:
Mauney
Music
Building
Phone: 728-3750
E-mail: iplatrpt@unifourbrass.org
Course
Numbers
MUS 121.12, 122.12, 131.12, 132.12, 133.12, 331.12, 332.12, 333.12
MUS 121.82, 122.82, 131.82, 132.82, 133.82, 331.82, 332.82, 333.82
Course
Credits
MUS 121.XX and 131.XX and 331.XX are 1 semester credit
MUS 122.XX and 132.XX and 332.XX are 2 semester credits
MUS 133.XX and 333.XX are 3 semester credits
Level
MUS 12X.XX are Prep Division Courses
MUS 13X.XX are Lower Division Courses
MUS 33X.XX are Upper Division Courses
Prerequisites
Audition is
required for enrollment in Lower Division Applied Music. A successful
Upper-Divisional Jury is required prior to enrollment in Upper Division Applied
Music.
Objectives
To provide instruction in the musical, artistic, and technical aspects of
trumpet performance and also diagnostic information to help the student become
an effective instructor.
General
Methodology--Weekly Lessons
Weekly private lessons will be scheduled. In
preparation for these lessons students will study exercises, scales, etudes,
methods, solo literature, and orchestral excerpts as assigned. Daily
individual practice sessions should be maintained in accordance teacher
guidance. Seven hours per week in
individual practice time is expected for each semester credit.
Special
Requirements
Students in Lower Division and Upper Division Applied Trumpet courses are
required to perform once each semester on a Friday morning student recital.
Additionally, students are required to perform a Jury Exam (final graded
performance) that will be weighted as 20% of the final course grade. First
semester students may be exempted from the Jury Exam at the discretion of the
professor and permission of school chairman.
Textbooks
and Other Required Materials
Students are
expected to purchase etude books and solo literature as appropriate. Specific
assignments will be made by the professor throughout the semester.
Course
Outline
Because Applied Trumpet courses provide individual instruction, each student
will follow an individual plan specifically designed for him/her. In general,
students will be expected to prepare materials assigned in the manner prescribed
for each lesson. As students progress and gain technical proficiency greater
emphasis will be placed on the preparation of solo literature and on public
performance.
Specific
assignments will be given each week during the lesson. Students are then
expected to prepare this material for the following week’s lesson.
Method
of Evaluation
Students
will be evaluated on their preparation for each lesson, consistency of progress
during the semester, amount and difficulty of literature prepared and performed,
Friday morning recital performances, Jury Exam, and general attitude.
Occasionally, outside master classes, studio classes, and workshops are
required. These will be announced well in advance of the event.
Recital
Attendance
Students enrolled in Applied Trumpet are required to attend designated events as
specified in the Music Student Handbook. Failure to meet the Recital Attendance
requirement will result in a lowering of the semester course grade.
Attendance
Policy
Students are
expected to prepare for and attend 14 private lessons during the semester.
Students who must miss a lesson should contact the professor prior to that
lesson and schedule an alternate time. Work schedules, fraternity/sorority
functions, and similar reasons are generally not excusable.
Academic
Integrity Policy
Students are
expected to comply with the college Academic Integrity Policy.
North Carolina
Teacher
Education Competencies
·
1.1 The ability to use a knowledge of music history and theory to
enlarge the student’s understanding of music and the evolution and
characteristics of styles.
·
1.2 A knowledge of music literature suitable for various age levels and
the ability to select music appropriate for the ensemble and/or individual
student.
·
1.3 A knowledge of basic music vocabulary/terminology essential to the
teaching of music in the schools, K-12.
·
1.4 The ability to use and the knowledge of the importance and nature of
the music of various world cultures, including American music, (black, folk,
jazz, musical theatre, music of
North Carolina
composers, and 20th Century music.)
·
2.1 A broad musical background based on a comprehensive understanding of
music, and the ability to integrate this understanding into artistic music
expression.
·
2.2 Major solo performance capability in at least one medium, as well as
minor performance capability.
·
4.11 Practical approaches to the teaching of music reading and the
ability to adapt these approaches to children of varied ages and ability levels.
·
4.14 The ability to convey to students creative approaches to the study
and performance of music which will enable them to become consumers as well as
performers of music.
·
4.16 The ability to evaluate musical performance and student work and to
involve students in the evaluative process.
·
5.8 An understanding and respect for other arts disciplines.
·
5.11 A recognition of the need for a vital and diversified music
curriculum in the schools which will encourage continued musical growth and
involvement beyond the years of formal education.
·
5.12 A recognition of the value and role of out-of-school music
participation.
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